Say yes to everything.

Kenai Peninsula College students invited me to give their commencement address this year. In fear and in trembling, I said yes. My first, my last and my only. I mean it.

First time I've ever worn MFA robes and cowl. Those sleeves have a life all their own.


Director Turner,
Chancellor Case,
faculty,
staff,
proud moms and relieved dads,
members of the 2013 graduating class of Kenai Peninsula College.

First of all, congratulations.

Congratulations to the father-son graduating team of Robert and Chris Pepper,
congratulations to Debra Miller who earns her GED and her AAS on the same day,
congratulations to Danna Spring, who follows her mother and her brother as valedictorian. Overachievers R Us in that family, evidently.
Congratulations to the process and petroleum technology graduates,
and to the occupational health and safety and paramedic graduates,
and to the general program and computer electronics and computer info and digital art and general business and industrial process graduates,
and congratulations to the lone corrections graduate,
and a big congratulations to the over 100 GED graduates–you’ve made it this far, don’t stop now!

Today you prove you finish what you start.
You have also earned a degree, which contains the singular virtue of permanence. You can’t lose it, it can’t leave you, it can’t divorce you, it won’t die on you, it’s yours for life. Well done.

Some of you may remember a little film from last year called Pitch Perfect.

A college freshman joins an a capella group at her university. It’s a story you’ve seen a hundred, a thousand times before: Girl gets boy, girl looses boy, girl gets boy back. But how does she get him back?

She risks it all on one song. She not only risks it all, she risks it in front of all her friends, in front of her father, in front of an auditorium full of people, in a situation where she is literally being judged for her performance.

“Don’t you forget about me,” she sings. “Don’t you forget about me,” and then having got his attention she pushes him, again right there in front of god and everybody, in front of her peeps, her dad, the entire a capella community, she sings “Will you walk on by, will you call my name? Will you walk on by, will you call my name?”

It’s a Hollywood movie, he calls her name. But if she hadn’t asked the question, he wouldn’t have had the opportunity to say yes.

So here’s the takeaway from this little pop culture lesson.

1. Don’t go safe.

I left a job on the North Slope that paid $64,000 a year to go back to school. That was a lot of money then. It would have been a lot safer to stay right where I was.

But I didn’t go safe. I left that lovely salary and all those lovely cradle-to-grave benefits and went back to school and got my MFA in 1985. It took me five more years to write and sell my first book, for the princely sum of $3000. You do the math. It would be another three years before I earned enough to afford my own apartment again.

But look where I am today. Successful enough that you wouldn’t leave me alone until I came to speak at your graduation. [Note: The KPC students’ association kept asking, until after three years they finally wore me down.]

Don’t go safe.

2. Go big, go bold.

The best thing my writing ever earned me was the first thing my writing ever earned me, a residency at Hedgebrook Farm, the writers retreat for women on Whidbey Island in Puget Sound. It was the first time anyone ever acted like writing was a real job.

I have some view property in Homer. My newest project is Storyknife Writers Retreat, also known as Hedgebrook North. It will take a million dollars to build and twenty million to endow. Those are big, bold numbers, all right. Failure is most definitely an option.

But I’m going to try anyway, because if I don’t try, there is no possibility of success.

Go big, go bold.

3. Don’t be afraid to fail.

Three years ago, I had 16 books out of print. My webmaster, a guy by the name of Scott Gere, FYI a Kenai guy, said, “Let’s publish them as e-books.”

Neither of us knew what we were doing going in, and the learning curve was very steep. Scott fronted the labor and the costs, to the tune of $4500 a book. For twelve of the longest months of my life I was terrified that the project would fail utterly, and that his business would be tens of thousands of dollars out of pocket and, worse, I would have destroyed the best and longest term business relationship in my life.

Nine months after he uploaded those ebooks for sale? I paid off my house, and Scott’s business is now entirely debt-free.

Don’t be afraid to fail. Or go ahead, be afraid, but do it anyway.

4. Ask.

Ask. Them that asks, gets. Understand that you won’t always get a yes in reply. I have coined a phrase, “To be a writer is to embrace rejection as a way of life.” For years I’ve wanted to write an historical novel about Marco Polo’s granddaughter traveling the Silk Road west between the years 1322 and 1327. Every single print publisher I’ve approached to publish it has said, “Mmmmmyeah, no.” None of them want to take a chance on “diluting the Stabenow brand.” I won’t even mention the rabid Kate Shugak fans who only and ever want another Kate Shugak book, world without end, amen.

So I’m going to write my historical novel anyway, and Kenai guy Scott Gere and I are going to publish it originally in e, and we’ll just see, won’t we, if I “dilute my brand,” or if I kick the crap out of conventional publishing wisdom.

I’m asking my fans to trust me to write something different that they will enjoy just as much as the Kate Shugak series. Again, the possibility of failure looms large and threateningly on my horizon, but, again, if I don’t try? I’ll never know if I could have succeeded.

Ask.

5. Say yes to everything.

I was on a plane into Shannon, sitting next to two young men who had just graduated from high school. Their bikes were in the cargo hold and they planned to spend the next month cycling around Ireland. We talked about where they should go and what they should do, and in the end, as we were deplaning I said to them, just off the cuff, “The Irish are the most hospitable people on the planet. Say yes to everything!”

Everyone within earshot, most of them Irish, turned around and looked at me, and smiled.

So allow me to repeat that here today. Say yes to everything! My friend Don said, “Go meet my folks in Ireland” and I said “Yes!” and found another family. My friend Sharyn said “Want to go to Turkey?” and I said “Yes!” and wound up in Peru. (Long story.) My friend Kathy said, “Apply for the Hedgebrook residency!” and I said “Yes!” and had the best writing experience of my life. My dad, a Bush pilot, was always saying, “Hey kid, wanna go for a ride?” and I never said no, and one time it almost got him arrested in place of Baker Bob. (Another long story. But a really good one.)

Say yes to everything. The only regrets I have are the times I said “No.”

I leave you today with the words of the immortal Jesse J.

It’s not about the cha-ching cha-ching
It’s not about the ba-bling ba-bling
Forget about the price tag
You just want to make the world dance

And you want to make it dance to your tune.

So get off your butts and get out there and make the best life you can. It’s the only one you’ve got, and it never lasts as long as you think it will. Don’t waste a minute of it.

Tick tock.

Congratulations again, and thank you!

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Underway Writers Workshop 1

[from the stabenow.com vaults, 2007]

May 5

There were initially sixteen students in what I called my Underway Writers Workshop. I confidently expected that number to drop by half after the first class, especially since it wasn’t for credit and class time was at the mercy of ops and as such, well, fluid.

They stuck with it, though. I taught them first lines, setting, character, plot, and dialogue, and I made them practice, practice, practice writing, in class and out of it.

At the end of the last class, I challenged them to write me a story about life underway. If I liked it, and the Captain permitting, I’d post it to the blog. Nine of them stepped up. I’ll post three daily for the next three days. Enjoy.

——————————————————

Leaving for Work
YN1 Matthew Sayers

YN1 Matthew Sayers and Little Man

“I love you, little man.” I said.
“I love you too, Daddy. Why are you crying?” Like a knife straight to the heart.
I glanced at my wife. Can you please help me out here?
“Daddy is just sad because he’s going to miss you.”
I grabbed my last bag and walked it out to the car. Fuck, here we go again. Come on, Matt, suck it up. Let’s just get it done.
“I’ll be back before you know it, little dude.” Getting down on one knee, I gave him one last big hug and kiss. “Be a good boy for Mommy, o.k.?”
“O.k., Daddy.” Like I was going out for milk. Kids. Gotta love their perspective on life.
Standing up, holding my son’s gaze as long as I could, I turned to my wife. “I love you, babe.”
“I love you, too. Be careful and email me as soon as you can. Go, we’ll be fine. Do what you need to do.” Women. God bless ‘em.
Day one underway is always the hardest.
———————————————————–
Arriving Munro
YN3 Dorothy Davies

SK3 Dorothy Davies

She wished the ride from the Oakland International Airport would never end, but the van came to a halt all too soon. The salt smell of the sea air was overwhelming when the door opened.
The streetlight lit up the name USCGC MUNRO. The seamen tried to give her words of encouragement, but she couldn’t hear them over the thumping of her heart.
The ship grew larger with each step forward. The day that was so far off was actually here. She climbed the stairs leading to the brow. The weight of the green sea bag pulled her back, as if to tell her not to go.
The watch stander stood and smiled. She reached out her hand and said, “Hello. I am YN3 Dottie Davies, reporting as ordered”. He signed her in and the seamen led her down into MUNRO.
She walked into the berthing area and saw where she would sleep for the next two years. She smiled shyly at the other females, trying to make a good first impression with her new roommates. She unpacked, showered and lay down in her rack.
She wanted to hurry and go to sleep, in the hope that when she woke up she would not be there.
———————————————————–
First Day Underway
SN Jessica Roberts

SN Jessica Roberts

“Now, there has been a report of fire in the engine room. All hands man your General Emergency billets!” I pulled out my WQSB and for G/E it said Bridge-Lookout.
It was my first day on board Munro, and I arrived at what most people referred to as the worst time possible, during TACT. TACT is a three-week long training evaluation where the crew is evaluated by the Navy on our proficiency and ability to react and perform during fires, floods, man-overboard, abandon ship, and refueling at sea, just to name a few.
No one had time to take me through the ship and show me where everything is, and there was no time for me to get familiar and settled in. This cutter is 378 feet long. During the first week, 378 feet seems like 378 miles. I had no idea what TACT meant. I didn’t realize that this was just a drill. Not only was I lost, but I thought the ship was on fire and I was scared for my life.
“Where’s the bridge?” Someone in the passageway laughed at me and said “Are you serious?”
Someone finally said, “Forward of the Wardroom, and up.” I yelled back at him “Where’s the Wardroom?”
He rolled his eyes and pointed down the passageway. Ah, okay. But I’m not an officer. I’m not allowed to walk through the Wardroom. So I “walk with a sense of urgency,” one of the useful phrases we learned in basic training, as opposed to running, through Chiefs Country, which I find out later than I’m not allowed to walk through, either.
Luckily the person ahead of me was on his way to the bridge, too. I finally arrive and someone throws me flash gear. Flash gear consists of a fire retardant hood, gloves and red long sleeved shirt. We were in San Diego, and the temperature on the bridge was eighty-something degrees, and they want me to wear all this?
I put it on and the Conning Officer said, “Seaman Roberts, you can lay to the flying bridge.”
“Um, where’s that, sir?” I think everyone on the bridge laughed at me. Someone took me out on the bridge wing and pointed to this terrifying little ladder that went up to a small weather deck above us. I have to climb up that? And go up there?
Ever since falling down a ladder during a high school play, I had suffered from a fear of ladders, and a fear of heights. I didn’t know that living on a ship meant climbing a ladder every time you need to go anywhere.
We were about fifteen miles off the coast from San Diego and the sea out there is very calm. I don’t know if it was the ladder, or the fact that I was fifty feet above the surface of the water, or the fact that I was surrounded by ocean for the first time. After being on the flying bridge for maybe two minutes, I had to vomit. I climbed back down the ladder as quickly as I could, entered the bridge and said, “Where’s the nearest head?” Someone told me to go down the ladder where there was a head for watch standers. I opened the door to the smallest bathroom ever and threw up into the toilet.
After cleaning up I went back up the ladder to the bridge and was greeted by the XO and Chief Hays. The XO asked me if I was okay. I told him that I guessed I was seasick.
He laughed at me. “This is nothing compared to the Bering Sea.”


Click here to order a copy.

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Booklist likes the Kate20/20 audio version


Booklist

Issue: June 1, 2013
Bad Blood.
Stabenow, Dana (Author) and Gavin, Marguerite (Reader)
Feb 2013. Macmillan, CD, $29.99. (9781427229144).

In this twentieth Kate Shugak mystery, part-time private investigator Kate Shugak and Alaska state trooper Jim Chopin find themselves in the middle of a feud between neighboring Alaska villages while trying to solve the murder of a young man. After the dust clears, another man is dead and a young couple is missing. No one from either village is willing to aid the investigation, and the pair is fed false alibis at every turn. Gavin, the reader of previous series titles, is comfortable in Kate’s prickly skin. Gavin voices the native Aleut investigator in husky and no-nonsense tones but softens her register when Kate shows affection for Jim and expresses her love of the wilderness. Jim’s speech patterns go from controlled to frustrated as he confronts villagers who repeatedly thwart the investigation. Other characters receive distinguishing characteristics as the story moves to a cliff-hanger ending.— Candace Smith

Dana sez, “Another star turn for narrator Marguerite Gavin. Thank you again, Marguerite!”

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